Best all around lens for sony a6300 is highly recommended for Photography. Extensive collection with the best lenses for the Sony A6300 of 2019. See our guide to the Best All-Around lens For Sony a6300. Take a look at our best lenses list in 2019.
Best all around lens For Sony a6300 ( Buying Guide)
The Sony Alpha a6300 represents a major jump from its predecessor, featuring 4K video and improved autofocus that is among the best in the business. For these reasons, it’s one of the top mirrorless cameras on the market for travel and the outdoors. Below we break down the top lenses for the a6300, including leading prime and zoom options from wide-angle to telephoto. Keep in mind that the 16-50mm kit lens offered with the a6300 is subpar—it’s not up to the standards of the 18-55mm kit lenses from Nikon and Canon.
best all around lens for sony a6300
Below you can find a list of what we feel are the best Sony a6300 lenses as of early 2019. The list is based both on our own experience and the recommendations of photographers who use Sony cameras. Of course, these recommendations may apply not only to the new a6300 but to any camera in Sony’s APS-C lineup.
This is a sharp, versatile, stunning and convincing lens for the Sony A6300. The superb Sony E 50mm F1.8 OSS lenses are genuinely manufactured with entry-level users in mind, so are reasonably priced. The lens is a high-grade choice if you want to shoot contrasty portraits, landscapes, and fascinating traveling photos. This remarkable Sony E 50mm F1.8 OSS lens is marvelous. The feeling, vivid details, and the style of the stunning images are incomparable.
This Sony lens is very sharp around f/4 and, for the price, generates very impressive and fantastic bokeh. Shot wide open at F1.8, images are ultra-sharp, and this level of detail is across its entire focal range. No issues with autofocusing or anything since it uses an AF-S motor.
At only 202g and truly pocketable size, I imagined this would be my ‘everyday lens’ for non-professional use. Generally, the maximum aperture of these lenses isn’t too large, which helps to keep their cost down, but they aren’t always of the highest optical quality.
The sharpness near at the edge of the frame deteriorates at apertures from f/18 to f/22, but it is not enough to be a problem for most people. It also offers Vibration Compensation for tripod-free photography. In short, if you can buy only one lens for your Sony A6300, then Sony E 50mm F1.8 OSS is the one to get.
We generally have mixed feelings about all-in-one lenses: they are extremely convenient and can serve as the only lens in your bag, but they don’t excel at any particular focal length like a purpose-built prime or zoom. From an optical perspective, the Sony 18-200mm captures sharp images and comes with OSS for when natural light is low.
It also focuses reasonably quickly in most circumstances and is faster than the 55-210mm with a maximum aperture of f/3.5. A major downside is the size and weight of this lens at 18.5 ounces, which can feel bulky on a compact body like the Sony a6300. But that’s fairly standard for all-in-one lenses, and particularly on small mirrorless cameras.
After doing a lot of research, I decided to give this spherical and powerful lens a try. The Sony E 18-135mm F3.5-5.6 OSS is a modern, advanced and properly crafted lens which perfectly suits the traveling photographers. This Sony E 18-135mm F3.5-5.6 OSS lens has been designed using an advanced optical structure to achieve both decent resolution and high-quality details.
Furthermore, thanks to enhanced coating lens flare are somewhat of a non-issue with an 18-135mm lens, since you can easily crop out the sun and other bright light sources in-camera. The AF, when coupled with a decent DSLR, is ultra-fast, confident and very usable for landscapes or traveling. The 16-elements-in-12-group beautiful optical design is poised to deliver impressive, consistent peripheral brightness and sharpness, even when working at the F3.5-5.6 maximum aperture. Generally, the maximum aperture of these lenses isn’t too large, which helps to keep their cost down, but they aren’t always of the highest optical quality. This lens gets the job done and does it without breaking the bank.
The 16-70mm f/4 below gets much of the hype as the top travel zoom for Sony’s APS-C mirrorless cameras, but the 18-105mm f/4 is a worthy alternative at a lower price point. We like the additional reach at 158mm vs. 105mm, although you do sacrifice a rather handy 3mm at the wide end. But perhaps most importantly, this lens is considerably cheaper at around $600 instead of $1,000.
In terms of optics, the 18-105mm is sharp, focuses reasonably well, and has the same f/4 maximum aperture and OSS image stabilization as the 16-70mm. If you want a versatile zoom lens to pair with the Sony a6300 without breaking the bank, this is the ticket. However, one downside is the weight: 15.1 ounces makes it the second heaviest lens on the list behind only the 18-200mm.
A 50mm lens essentially is a must-have for those who shoot portraits, and primes do the job much better than zooms. We don’t have an exact 50mm match here, but the Sony 35mm f/1.8 is pretty darn close at a 52.5mm equivalent. What we like most is the fast maximum aperture of f/1.8, which will give you the bokeh and low light performance that make people and indoor photos really pop.
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In addition, this lens is sharp, lightweight, and has OSS image stabilization. It’s true that $450 is expensive compared to the “nifty fifty” options for Nikon and Canon APS-C cameras, but unfortunately, this is not all that uncommon in the mirrorless world. The pricey Zeiss Touit 32mm f/1.8 is even sharper and another interesting option for enthusiasts and professionals who can afford it.
Telephoto lens choices for the a6300 are scarce, which may be a deterrent for wildlife photography enthusiasts and those who need a lot of zooms. However, the Sony 55-210mm has the farthest reach at an equivalent of 315mm (second is the 18-200mm at an equivalent of 300mm).
Our biggest complaint is a low light performance with a maximum aperture of f/4.5, but you do get OSS image stabilization. We would love to see a faster E-mount telephoto lens from Sony down the road, but until then the 55-210mm does just fine for most people.
For those who can afford it, the Sony 16-70mm f/4 OSS is the highest quality travel zoom for the Sony a6300. You can buy the camera body, add this lens, and you’ll have top tier image quality from an equivalent of 24-105mm for everything from landscape shots to portraits.
- Read more about Best Lens for Family Portraits.
The obvious downside of this lens is cost, which brings the total for the a6300 and one lens to around $2,000. For this reason, we have the 18-105mm ranked higher on this list. Both are good options but the 18-105mm certainly is a better value.
Photographers who want their mirrorless camera to feel like a point and shoot will love this lens. While this lens is known for taking very sharp images, especially at the long end, its biggest asset is probably its wide focal range, which allows for one lens to be used in a variety of settings. Sharpness is excellent across most of the zoom range – but drops off more at the end.
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If you can get close enough to the model, the lens bokeh exhibited by the Samyang 12mm f2.0 is dreamy and creamy. And the optical quality in my reviewed lens proved to be very respectable and sharp across the entire focal range. Overall, the sharp Samyang 12mm f 2.0 lens is a well-priced, and an excellent option for user wants an upgrade from the kit lens regarding quality and focal range.
The Sigma 60mm F2.8 DN is a modern, incredible and adequately crafted lens which perfectly suits the family photographers. Distortion is minimal, but this is probably due to mirrorless camera bodies which correct most distortion in-camera. This lens produces sharp images with only a hint of softening near the corners when shot wide open. This Sony E mount lens produces dreamy bokeh, especially for being on Sony A6300. Sharpness is excellent across most of the zoom range – but drops off more at the long end.
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It’s tack sharp and has great colors, not to mention it’s far more weather-proof than regular lenses. It can focus on subjects as close as 0.5m throughout the zoom range. The lens is an excellent choice if you want to shoot contrasty portraits, traveling and stunning landscapes photos. The lens price is very affordable, so this is an excellent choice for beginners. This Sigma 60mm F2.8 DN lens is one of the most impeccable, impressive and stunning pieces of glass that will fit yours. I’m interested to hear if you agree or disagree with any of my choices, so please feel free to leave a comment below to continue the discussion.
To take your photography to the next level, you’ll want to begin building your arsenal of significant lenses. This ultimate lens produces photos that are fairly sharp in the center at F1.4 and noteworthy sharp by the time you hit f/5.6. The focus gradient from these razor-sharp in-focus elements to creamy bokeh is steady and subtle, and the bokeh itself is creamy smooth. Colour rendition is also dependent on the camera used, but at least with the Sigma 30mm F1.4 C, you’ll know it’s not the lens letting you down!.
Sigma also uses a Super Multi-Layer coating to cut back on ghosting and flare in photos. It is very suitable for all-purpose shooting, and it’s very compact for its focal range. As with all Sigma lenses, build quality on the Sigma 30mm F1.4 C is awesome, with a metal barrel and solid, innovative quality and high-grade feel. The glass is the best choice if you want to shoot contrasty traveling, family and extraordinary landscapes photos. Overall, this Sigma 30mm F1.4 C lens is one of the most impeccable, extraordinary and versatile pieces of glass that will fit your mirrorless Sony A6300.