Wedding photographers need to be able to quickly capture a variety of details and key moments throughout the wedding day. Best Sony lenses For Wedding Photography is pretty important. Best sony lenses for video are available in the market. The best sony prime lenses are included all features whatever you want for Wedding photography.
Best Sony lenses For Wedding Photography in 2020
Weddings are a one-time thing, all of the things above are more or less a requirement. Need the best lens for wedding photography that is universal. Or you want to have several lenses for portrait, group, and lifestyle photos? Let’s answer these and other questions to make the process of buying a new wedding photography lens clear for everyone.
This lens is easy to use, it is in demand among professionals primarily because of high image quality and convenience, which provides an optimal set of focal lengths, suitable for the vast majority of footage. It is the first time when a lens speed zoom with almost perfect sharpness at open apertures and stunning details appeared on the market. Add accurate and fast autofocus (that won’t get distracted even by the dim light), ergonomic build, moisture, and dust protection and you’ll get the perfect zoom.
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Actually, Sony developers managed to achieve both top-notch technical characteristics and pleasant bokeh. The lens is considered to be the best Sony lens for wedding photography for all situations. I believe the lens is an excellent “workhorse” for dynamic journalistic wedding photography fans.
This telephoto lens is rightfully considered to be among the best Sony lenses for reporters, wedding photographers, and anyone who needs to take close-up images from a distance larger than a couple of meters. The look of the image in the sharp/blur area is important for a long-focus zoom, which is why the 70-200mm uses a rather complex optical scheme with three aspherical lenses and another three made of low-dispersion glass.
The lens provides a rather soft and pleasant bokeh, while still being sharp at a wide aperture. This telephoto model has a white, dust- and moist-resistant body, equipped with broad graspable focus and zoom rings.
Sony 24mm stands out from the whole G Master range of optics: it is very sharp, contrast, has beautiful and correct bokeh. If you don’t want to spend so much on a zoom lens, or prefer using prime lenses due to their bigger aperture and smaller design, the Sony 24mm f/1.8 is our widest pick.
There’s no OSS (stabilization) like with our other prime choices below, but at 24mm the depth of field is a lot bigger which means you can shoot with long shutter speeds and still get crisp results. If your camera has stabilization built-in, then there’s nothing worry about at all.
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The lens is very sharp, images have rich colors and contrast. It’s also usable at f/1.8 but corner sharpness gets better as you stop down of course. Autofocus is also quick and silent, and it rarely hunts in a bad light.
Best of all, it’s compact, light and easy to use for both manual and autofocus. Lenses can hunt indoors, and at such moments you’ll have to focus manually.
You’ll need a 50mm prime if you want to shoot with a prime lens. For casual shots and portraits, this affordable Sony 50mm f/1.8 OSS is awesome.
The 50mm length on APS-C is equivalent to a 75mm lens on full-frame. It sits between the ‘standard’ and ‘telephoto’ range so it’s good for both casual (but not wide) photography and weddings, concerts, any situation where you can’t always be too close to your subject.
It’s more or less like the 35mm above; same aperture, similar weight, and size. The 50mm is around $150 cheaper though! Quality-wise, it’s similar to 50mm f/1.8’s from other brands; usable and sharp at f/1.8, but by f/4 everything gets even better (including corners). But if you’re shooting in low light and want good results, you can expect them at f/1.8 so no worries.
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If you’re just starting out with weddings and don’t want to spend a fortune yet, this is what you should get. However, if you already know you want, even more, read further.
The lens was released in 2017 and had all the chances to become a bestseller in the Sony Alpha system. This is the most accessible brand portrait lens of the E bayonet. The lens appeared to be very sharp, and it is not a classic representative of modern portrait lenses with an ideal and boring bokeh. The blurring of this lens has some formal “flaws” in the form of light bokeh twisting, a bit harsh glare than other portrait lenses have. Nevertheless, this slight non-perfection gives SEL85F18 its character and singularity. This is a truly creative lens, in which bokeh is not just a perfect blur, but an expressive tool. Particularly interesting is the focus testing at a wide-open aperture.
So, the lens is sometimes focused with a small front-focus, although this is not critical, and the focus shift is often smoothed by an increased depth of field. The only drawback of such best Sony lens for wedding photography is the tendency to reduce the contrast when shooting against the light. It is rather annoying, but it depends on the way you shoot, and it should not affect your decision to buy it. This lens is suitable for full-frame mirrorless cameras of A7 series and it is compatible with models with an APS-C format matrix.
How to Choose the Best Sony Lenses for Wedding Photography?
Choosing a lens isn’t easier than choosing a new camera body. You watch videos on YouTube, read articles, compare photos, and the principle “the more expensive the lens is, the better it works” isn’t reasonable here. You should clearly understand which lens you need, what do you want from it, and which characteristics are most important to you. For example, for portraits, the lens speed is the most important factor, for wide-angle shots you need the lens, which helps take pictures without distortion, and for lifestyle photography, it is fast focusing and good stabilization that really matters.
If you plan to shoot portraits, the best decision will be 50mm, 85mm, and 200mm, depending on the kind of portraits you want to shoot. If you are looking for the best lens for wedding photography and you need to show the background using a wide-angle, select between 14mm – 35mm variants. Do not even think about lower focal length, as this will be a fisheye, which means visible geometric distortion. When you understand what you want to shoot, you should decide whether you need a zoom or fix lens. I’ve already told you about the pros and cons of each one.
Big Aperture & Image Stabilization
Weddings take place outside and inside. Because of the latter, you need to be prepared with f/2.8 lenses or even bigger.
Having a big aperture allows you to really blur the background and isolate your main subject from the background. If shooting indoors, you’ll probably have to raise the ISO anyways, but some cameras will simply be too noisy. A difference between an f/2.8 and f/2 aperture is 1 f-stop, which would mean you can shoot with ISO 1600 instead of 3200.
Optical SteadyShot (OSS) is also a very welcome feature. People do move at weddings, but for the most part, there’s not much movement. In those situations, OSS can help you up stabilize up to 4 stops with the majority of lenses we recommend. If your camera has it built-in then that’s even better.
Focusing and Stabilization
Focusing speed depends not only on the lens but also on the camera itself. When you buy a lens, it is better to have the fastest autofocus. If it works too slowly, you can miss an important frame because of the long focus. Optical Stabilization is also an important parameter, especially for lifestyle photography. Typically, people do not pose for a photographer, they move unpredictably. If it is an evening photo session, you have to shoot at a longer exposure, without stabilization, and you will certainly get blurred photos.