Top 7 Best Prime lenses for Sony in 2020

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Last updated on May 10th, 2020

[vc_row][vc_column][vc_column_text]Are you a lucky owner of a Sony camera and want to buy the Best Sony Prime lenses that professional shooters use for work? If you are lost in the wide range of photo equipment, you absolutely need this guide. I have prepared the list of top 7 best prime lenses for sony suitable for any taste and budget.

Best Sony Prime lenses (Top 7 Best Prime lenses for Sony)

This guide doesn’t review third-party glass. The best lenses for Sony cameras are their native lenses. If you do need something not offered in the Sony range, look to brands like Tamron, Sigma, or Tokina.

Sony’s full-frame mirrorless cameras have created a lot of buzz in the photography world, and they keep improving with each rendition. It’s true that the FE lens options for Sony still are more limited than the offerings for Canon and Nikon cameras, but the collection is growing and far more impressive in 2019 than it was even a year ago. Below we break down the best Sony Sony prime lenses, including zooms from wide-angle to telephoto.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”1. Sony FE 16-35mm” font_container=”tag:h3|text_align:left|color:%231e73be” use_theme_fonts=”yes” link=”url:https%3A%2F%2Famzn.to%2F2Ov3U6C|title:Sony%20FE%2016-35mm|target:%20_blank|”][vc_column_text]High quality zooms with f/2.8 aperture aren’t that cheap. Combined with the fact many Sony lenses tend to cost more than from other brands, it’s no wonder that the Sony 16-35mm f/2.8 GM costs over $2,000.

Is it worth it?

The 16-35mm range is for group shots, landscape, environmental portraits, indoor scenes and such. If you know you’ll be shooting in low light quite often, and that f/4 is not an option for your high ISO performance, then this is your only zoom option. There are always prime lenses but at the cost of no zoom. This is something you’ll have to decide on your own, but the 16-35mm is a fantastic lens nonetheless.


The 16-35mm features two XA (extreme aspherical) elements and 3 aspherical elements to reduce distortion, aberration, and loss of sharpness in corners. At this price range, this is expected.

While wide-angle lenses aren’t something you’d use for portraits, it helps knowing there’s an 11-blade circular aperture to make bokeh look more appealing than with most other wider choices.

There’s not much else to say; autofocus is quick and accurate thanks to DDSSM (direct drive supersonic wave motor), and if you love other types of photography besides weddings, this is something you’ll never have to sell.[/vc_column_text][vc_btn title=”Check out on Amazon” style=”flat” color=”blue” i_icon_fontawesome=”fa fa-cart-plus” add_icon=”true” link=”url:https%3A%2F%2Famzn.to%2F2YzaMDF|title:Check%20out%20on%20Amazon|target:%20_blank|”][vc_custom_heading text=”2. Sony FE 24-70mm” font_container=”tag:h3|text_align:left|color:%231e73be” use_theme_fonts=”yes” link=”url:https%3A%2F%2Famzn.to%2F2K5d0CP|title:Sony%20FE%2024-70mm|target:%20_blank|”][vc_column_text]This is a must lens! The Sony 24-70mm f/2.8 GM has the range, image quality and aperture size that make it perfect for wedding photography. Not only that, it’s ideal for almost all other types of photography as well. Portraits, casual, food, travel, indoors, concerts, etc.


This is why the price is higher than most other lenses on this list. It’s something you buy and never have to replace, and you get it because you know it will complement your shooting style. If you’re into weddings, then trust me, it will. The focal length (on APS-C and full-frame) will get you covered for 90% of the shots. It allows you to be close to the action without being in the way but also has the ability to zoom out to 24mm and capture a group shot.

Then there’s the f/2.8 aperture at all lengths. Since you’ll be shooting indoors, every extra aperture stop helps. For beautiful portraits with creamy bokeh, such a large opening is also a must!

On the inside, it has 1 x Extreme Aspherical element (XA), 2 x Aspherical elements, 1 x Super ED and 1 x ED element. You’re looking at 18 elements in 13 groups so the size and weight are no surprise (31.25 oz/885g)

Yes, it’s big and heavy (31.25 oz/885g), so if these two are your main concerns then an f/2.8 zoom will probably never be a part of your kit. It’s also expensive, sitting at $1000 more than the f/4 version.

The autofocus is really fast and accurate thanks to DDSSM and it’s perfect for locking on fast-moving subjects. All of that comes with a big price tag, but it’s worth it.[/vc_column_text][vc_btn title=”Check out on Amazon” style=”flat” color=”blue” i_icon_fontawesome=”fa fa-cart-plus” add_icon=”true” link=”url:https%3A%2F%2Famzn.to%2F2ynabq6|title:Check%20out%20on%20Amazon|target:%20_blank|”][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”3. Sony E 24mm F1.8 ZA” font_container=”tag:h3|text_align:left|color:%231e73be” use_theme_fonts=”yes” link=”url:https%3A%2F%2Famzn.to%2F2SU3Yeu|title:Sony%20E%2024mm%20F1.8%20ZA%20|target:%20_blank|”][vc_column_text]Sony 24mm stands out from the whole G Master range of optics: it is very sharp, contrast, has beautiful and correct bokeh. The lens is rather universal. Thanks to a fully open aperture, it is suitable for reportage shooting in poor lighting conditions, and for artistic shootings with blurred background ‒ bokeh is surprisingly smooth as for a wide-angle lens.


If you search for the best picture quality for a landscape, just close the aperture a little to sharpen the edges and corners of the frame to the maximum. Working in backlighting is very convenient: glares and light spots do not appear, the level of chromatic aberration is rather low.[/vc_column_text][vc_btn title=”Check out on Amazon” style=”flat” color=”blue” i_icon_fontawesome=”fa fa-cart-plus” add_icon=”true” link=”url:https%3A%2F%2Famzn.to%2F33cx0Lo|title:Check%20out%20on%20Amazon|target:%20_blank|”][vc_custom_heading text=”4. Sony FE 70-200mm” font_container=”tag:h3|text_align:left|color:%231e73be” use_theme_fonts=”yes” link=”url:https%3A%2F%2Famzn.to%2F2T3D9F7|title:Sony%20FE%2070-200mm|target:%20_blank|”][vc_column_text]Another must for wedding photography. While there is a cheaper, f/4 version available, we again felt that f/2.8 is a key component here. The Sony 70-200mm f/2.8 GM OSS is more expensive, but for certain photographers, the advantages are super important.

At weddings, you’ll often be situated away from the “action” part itself in order to not attract any unwanted attention. With short zooms, you’ll be okay most of the time, but having a telephoto is a backup you can’t afford to not have. Plus, the 200mm length can make portrait shoots look absolutely stunning with such shallow depth of field.


While the image quality is very similar to the f/4, the f/2.8 version features 11 vs 9 diaphragm aperture blades, slightly shorter minimum focus distance, bigger magnification (0.25x vs 0.13x). Fast and accurate autofocus and great colors even at f/2.8.

Any issues?

As you’d expect, it’s heavier and bigger than the f/4 version. It could easily be too heavy if you’re using the A6 series and aren’t used to bigger lenses.

Due to f/2.8 and big zoom, this is also appropriate for other types of photography such as concerts, journalism, sports, some simple wildlife, etc.[/vc_column_text][vc_btn title=”Check out on Amazon” style=”flat” color=”blue” i_icon_fontawesome=”fa fa-cart-plus” add_icon=”true” link=”url:https%3A%2F%2Famzn.to%2F2SXa5Ph|title:Check%20out%20on%20Amazon|target:%20_blank|”][vc_custom_heading text=”5. Sony 35mm F2.8″ font_container=”tag:h3|text_align:left|color:%231e73be” use_theme_fonts=”yes” link=”url:https%3A%2F%2Famzn.to%2F2YBbNLw|title:Sony%2035mm%20F2.8|target:%20_blank|”][vc_column_text]This device may be called the best Sony lens in terms of compactness and universality. For full-frame cameras ‒ it serves as moderate wide-angle optics having the normal field of view for APS-C gadgets. The feature that distinguishes it from other models is compactness: A7 camera with an attached Sony FE 35mm f/2.8 ZA can easily fit in the jacket pocket.


By the standards of continuous focus distance lenses, the focal ratio is not the best, equal to f/2.8, but it is enough to shoot in darkness and to blur the background. It is water and dustproof, and weights only 120g. It works with inexpensive light filters with a diameter of 49 mm.[/vc_column_text][vc_btn title=”Check out on Amazon” style=”flat” color=”blue” i_icon_fontawesome=”fa fa-cart-plus” add_icon=”true” link=”url:https%3A%2F%2Famzn.to%2F2ysnbKV|title:Check%20out%20on%20Amazon|target:%20_blank|”][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”6. Sony 55mm F1.8″ font_container=”tag:h3|text_align:left|color:%231e73be” use_theme_fonts=”yes” link=”url:https%3A%2F%2Famzn.to%2F2STye9l|title:Sony%2055mm%20F1.8%20|target:%20_blank|”][vc_column_text]It is one of the best Sony lenses suitable for a camera with Sony E bayonet regardless of the sensor format. On crop cameras, it will serve as a perfect portrait maker, while for full-frame ones ‒ it is a universal “fix” suitable for various shooting conditions.


Sony 55 focuses starting from 50cm which is enough for close-ups. In general, it is perfectly balanced. The focal ratio is not the best one but the image is sharp starting with an open aperture. Although glares appear in backlighting, the shots do not lose the contrast. Aberration with an open aperture is noticeable but with f/1.8, a picture is perfect. The aperture is rounded, with nine wings. The bokeh is smooth, beautiful, and not curved.[/vc_column_text][vc_btn title=”Check out on Amazon” style=”flat” color=”blue” i_icon_fontawesome=”fa fa-cart-plus” add_icon=”true” link=”url:https%3A%2F%2Famzn.to%2F2GGABYu|title:Check%20out%20on%20Amazon|target:%20_blank|”][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”7. Sony SEL28F20 FE 28mm” font_container=”tag:h3|text_align:left|color:%231e73be” use_theme_fonts=”yes” link=”url:https%3A%2F%2Famzn.to%2F31fGlQT|title:Sony%20SEL28F20%20FE%2028mm|target:%20_blank|”][vc_column_text]One of the main attractions for a prime lens like Sony’s 28mm is its compact design and light weight. It fits any of Sony’s full-frame a7 series cameras like a well-tailored glove.

I love everything about this general-purpose lens. They have used some high-grade aluminum to enhance the physical and visual appeal. That’s a welcome touch in a plastic-obsessed world.


Sony’s FE 28mm F2 produces impressive out of focus effects too. We have the fast aperture, quality optics, and a 9-blade circular aperture to thank for that.

The sharpness—as expected—is edge-to-edge. It’s not surprising when you consider the high standard of lens elements and multi-coating. There’s very little evidence of ghosting or flare.

A lot of lens makers boast about how quiet their autofocus systems are. There’s a lot of hype with many of these claims. Not with this puppy, though. To say it’s whisper-quiet is no exaggeration.

This is a fantastic lens to keep on the camera or ready in the kit bag. It’s also a perfect choice for beginner photographers. It provides the simplicity of use and delivers high-quality results every time.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]As we’ve reviewed the majority of Sony prime lenses to date, we thought we’d put the top 7 best scoring lenses above a list so you can easily see which are the best, and what options are available. You can use Sony E-Mount and FE-Mount lenses on all Sony E-Mount mirrorless cameras, which includes the Sony Alpha 7 series, the Alpha 9, the Sony Alpha A6000 series, the Sony Alpha A5000 series, and Sony NEX cameras.[/vc_column_text][/vc_column][/vc_row]

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